What he craved was neither luxury nor the high rhetoric of history painting, but apprehensible truth, visible, familiar, open to touch and repetition.
他渴求的既非
非历史画的极尽修饰，而是可理解、看得见、感觉熟悉、摸得到且可重复的的
实。
What he craved was neither luxury nor the high rhetoric of history painting, but apprehensible truth, visible, familiar, open to touch and repetition.
他渴求的既非非历史画的极尽修饰，而是可理解、看得见、感觉熟悉、摸得到且可重复的的实。
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，
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