Writing about the “Throne of the Mughal”, a tableau with dozens of enamelled and bejewelled figures, he states that the ruler is an “imaginary Asian”.

他介绍“莫卧儿王冠”，在谈及几十个镶着宝石上着人物画面时，指出这个统治者是一个“构亚洲人”。

Writing about the “Throne of the Mughal”, a tableau with dozens of enamelled and bejewelled figures, he states that the ruler is an “imaginary Asian”.

他介绍“莫卧儿的王冠”，在谈及几十个镶着宝石上着彩釉的人物画，出这个统治者是一个“构的亚洲人”。

Writing about the “Throne of the Mughal”, a tableau with dozens of enamelled and bejewelled figures, he states that the ruler is an “imaginary Asian”.

他介绍“莫卧儿的王冠”，在谈及几十个镶着宝石上着彩釉的人物画面时，指出这个统治者是一个“构的亚洲人”。

Writing about the “Throne of the Mughal”, a tableau with dozens of enamelled and bejewelled figures, he states that the ruler is an “imaginary Asian”.

他介绍“莫卧儿的王冠”，在谈及几十镶着宝石上着彩釉的人物画面时，指出治者是一“构的亚洲人”。

Writing about the “Throne of the Mughal”, a tableau with dozens of enamelled and bejewelled figures, he states that the ruler is an “imaginary Asian”.

他介绍“莫王冠”，在谈及几十个镶着宝石上着彩釉人物画面时，指出这个统治者是一个“构亚洲人”。

Writing about the “Throne of the Mughal”, a tableau with dozens of enamelled and bejewelled figures, he states that the ruler is an “imaginary Asian”.

他介绍“莫卧儿的王冠”，在谈及几十个镶着宝石上着彩釉的人物画面时，指出这个统治者是一个“构的亚洲人”。

Writing about the “Throne of the Mughal”, a tableau with dozens of enamelled and bejewelled figures, he states that the ruler is an “imaginary Asian”.

他介绍“莫卧儿王冠”，在谈及几十个镶着宝石上着彩釉人物画面时，指出这个统治个“构人”。

Writing about the “Throne of the Mughal”, a tableau with dozens of enamelled and bejewelled figures, he states that the ruler is an “imaginary Asian”.

他介绍“莫卧儿王冠”，在谈及几十镶着宝石上着彩釉人物画面时，指出这统治者是“亚洲人”。

Writing about the “Throne of the Mughal”, a tableau with dozens of enamelled and bejewelled figures, he states that the ruler is an “imaginary Asian”.

他介绍“莫卧儿的王冠”，在谈及几十个镶着宝石上着彩釉的人物画面时，指出这个统治者是一个“构的亚洲人”。