His collegues were surprised at his absurd behaviour.

同事们对他那荒诞的行为感到吃。

The fallacy has been exposed in its naked absurdity.

论的荒诞性已被充分揭露。

Every moment of the fashion industry’s misery is richly deserved by the designers and magazine poltroons who perpetuate this absurd creation.

时装工业每一个痛苦的时刻都是完全应该被时装设计师们…和那些使种荒诞创造永久化的杂志懦夫领受。

Kafuka, an oddball and expediter in tbe western art, exhibits an eccentric while normal world to us with the lunatic eyes.

卡夫卡位西方艺的怪胎和探险家,以他“疯子”的眼睛向我们展示了一个荒诞的常人世界。

The author used a seemed calmness, impersonal and adiaphorous method to face the topic of the society and history of contemporary China.

荒诞的场面描写和幽默的语言风格是构成种喜剧化色彩的主要手段，作家举重若，深长，发人深思。

In virtue of the fantastic story, Wang Xiaobo presented a kind of ultimate contrary theory that exist at the same time, also expresses a kind of liberalistic ethical claim.

王小波正是借助种卡夫卡式的荒诞，在呈现了一种生存的终极悖论的同时，也表达了一种自由主义的伦理诉求。

His collegues were surprised at his absurd behaviour.

同他那荒诞的行为感到吃惊。

The fallacy has been exposed in its naked absurdity.

这谬论的荒诞性已被充分揭露。

Every moment of the fashion industry’s misery is richly deserved by the designers and magazine poltroons who perpetuate this absurd creation.

时装工业每一个痛苦的时刻都完全应该被时装设计师…和那些使这种荒诞创造永久化的杂志懦夫领受。

Kafuka, an oddball and expediter in tbe western art, exhibits an eccentric while normal world to us with the lunatic eyes.

卡夫卡这位西方艺的怪胎和探险家,以他“疯子”的眼睛向我展示了一个荒诞的常人世界。

The author used a seemed calmness, impersonal and adiaphorous method to face the topic of the society and history of contemporary China.

荒诞的场面描写和幽默的语言风格构成这种喜剧化色彩的主要手段，作家举重若轻，意味深长，发人深思。

In virtue of the fantastic story, Wang Xiaobo presented a kind of ultimate contrary theory that exist at the same time, also expresses a kind of liberalistic ethical claim.

王小波正助这种卡夫卡式的荒诞，在呈现了一种生存的终极悖论的同时，也表达了一种自由主义的伦理诉求。

His collegues were surprised at his absurd behaviour.

同事们对他那荒诞的行为感到吃惊。

The fallacy has been exposed in its naked absurdity.

这谬论的荒诞性已被充分揭露。

Every moment of the fashion industry’s misery is richly deserved by the designers and magazine poltroons who perpetuate this absurd creation.

时装工业每一的时刻都完全应该被时装设计师们…和那些使这种荒诞创造永久化的杂志懦夫领受。

Kafuka, an oddball and expediter in tbe western art, exhibits an eccentric while normal world to us with the lunatic eyes.

卡夫卡这位西方艺的怪胎和探险家,以他“疯子”的眼睛向我们展示了一荒诞的常人世界。

The author used a seemed calmness, impersonal and adiaphorous method to face the topic of the society and history of contemporary China.

荒诞的场面描写和幽默的语言风格这种喜剧化色彩的主要手段，作家举重若轻，意味深长，发人深思。

In virtue of the fantastic story, Wang Xiaobo presented a kind of ultimate contrary theory that exist at the same time, also expresses a kind of liberalistic ethical claim.

王小波正借助这种卡夫卡式的荒诞，在呈现了一种生存的终极悖论的同时，也表达了一种自由主义的伦理诉求。

His collegues were surprised at his absurd behaviour.

同事们对他那荒诞行为感到吃惊。

The fallacy has been exposed in its naked absurdity.

这谬论荒诞性已被充分揭露。

Every moment of the fashion industry’s misery is richly deserved by the designers and magazine poltroons who perpetuate this absurd creation.

时装工业每一个痛苦时刻全应该被时装设计师们…和那些使这种荒诞创造永久化杂志懦夫领受。

Kafuka, an oddball and expediter in tbe western art, exhibits an eccentric while normal world to us with the lunatic eyes.

卡夫卡这位西方艺怪胎和探险家,以他“疯子”眼睛向我们展示了一个荒诞常人世界。

The author used a seemed calmness, impersonal and adiaphorous method to face the topic of the society and history of contemporary China.

荒诞场面描写和幽语言风格构成这种喜剧化色彩主要手段，作家举重若轻，意味深长，发人深思。

In virtue of the fantastic story, Wang Xiaobo presented a kind of ultimate contrary theory that exist at the same time, also expresses a kind of liberalistic ethical claim.

王小波正借助这种卡夫卡式荒诞，在呈现了一种生存终极悖论同时，也表达了一种自由主义伦理诉求。

His collegues were surprised at his absurd behaviour.

同事们对他那的行为感到吃惊。

The fallacy has been exposed in its naked absurdity.

这谬论的性已被充分揭露。

Every moment of the fashion industry’s misery is richly deserved by the designers and magazine poltroons who perpetuate this absurd creation.

时装工业每痛苦的时刻都是完全应该被时装设计师们…和那些使这创造永久化的杂志懦夫领受。

Kafuka, an oddball and expediter in tbe western art, exhibits an eccentric while normal world to us with the lunatic eyes.

卡夫卡这位西方艺的怪胎和探险家,以他“疯子”的眼睛向我们展示了的常人世界。

The author used a seemed calmness, impersonal and adiaphorous method to face the topic of the society and history of contemporary China.

的场面描写和幽默的语言风格是构成这喜剧化色彩的主要手段，作家举重若轻，意味深长，发人深思。

In virtue of the fantastic story, Wang Xiaobo presented a kind of ultimate contrary theory that exist at the same time, also expresses a kind of liberalistic ethical claim.

王小波正是借助这卡夫卡式的，在呈现了生存的终极悖论的同时，也表达了自由主义的伦理诉求。

His collegues were surprised at his absurd behaviour.

同事们对他那荒诞行为感到吃惊。

The fallacy has been exposed in its naked absurdity.

这谬论荒诞性已被充分揭露。

Every moment of the fashion industry’s misery is richly deserved by the designers and magazine poltroons who perpetuate this absurd creation.

时装工业每一个痛苦时刻都是完全应该被时装设计师们…和那些使这种荒诞创造永久化杂志懦夫领受。

Kafuka, an oddball and expediter in tbe western art, exhibits an eccentric while normal world to us with the lunatic eyes.

卡夫卡这位西和探险家,以他“疯子”眼睛向我们展示了一个荒诞常人世界。

The author used a seemed calmness, impersonal and adiaphorous method to face the topic of the society and history of contemporary China.

荒诞场面描写和幽默语言风格是构成这种喜剧化色彩主要手段，作家举重若轻，意味深长，发人深思。

In virtue of the fantastic story, Wang Xiaobo presented a kind of ultimate contrary theory that exist at the same time, also expresses a kind of liberalistic ethical claim.

王小波正是借助这种卡夫卡式荒诞，在呈现了一种生存终极悖论同时，也表达了一种自由主义伦理诉求。

His collegues were surprised at his absurd behaviour.

同事们对他那荒诞的行为感到吃惊。

The fallacy has been exposed in its naked absurdity.

这谬论的荒诞性已被充分揭露。

Every moment of the fashion industry’s misery is richly deserved by the designers and magazine poltroons who perpetuate this absurd creation.

装工业每一个痛苦的是完全应该被装设计师们…和那些使这种荒诞创造永久化的杂志懦夫领受。

Kafuka, an oddball and expediter in tbe western art, exhibits an eccentric while normal world to us with the lunatic eyes.

卡夫卡这位西方艺的怪胎和探险家,以他“疯子”的眼睛向我们展示了一个荒诞的常人世界。

The author used a seemed calmness, impersonal and adiaphorous method to face the topic of the society and history of contemporary China.

荒诞的场面描写和幽默的语格是构成这种喜剧化色彩的主要手段，作家举重若轻，意味深长，发人深思。

In virtue of the fantastic story, Wang Xiaobo presented a kind of ultimate contrary theory that exist at the same time, also expresses a kind of liberalistic ethical claim.

王小波正是借助这种卡夫卡式的荒诞，在呈现了一种生存的终极悖论的同，也表达了一种自由主义的伦理诉求。

His collegues were surprised at his absurd behaviour.

同事们对他那荒诞行为感到吃惊。

The fallacy has been exposed in its naked absurdity.

这谬论荒诞性已被充分揭露。

Every moment of the fashion industry’s misery is richly deserved by the designers and magazine poltroons who perpetuate this absurd creation.

时装工业每一个痛苦时刻都应该被时装设计师们…和那些使这种荒诞创造永久化杂志懦夫领受。

Kafuka, an oddball and expediter in tbe western art, exhibits an eccentric while normal world to us with the lunatic eyes.

卡夫卡这位西方艺怪胎和探险家,以他“疯子”眼睛向我们展示了一个荒诞常人世界。

The author used a seemed calmness, impersonal and adiaphorous method to face the topic of the society and history of contemporary China.

荒诞场面描写和语言风格构成这种喜剧化色彩主要手段，作家举重若轻，意味深长，发人深思。

In virtue of the fantastic story, Wang Xiaobo presented a kind of ultimate contrary theory that exist at the same time, also expresses a kind of liberalistic ethical claim.

王小波正借助这种卡夫卡式荒诞，在呈现了一种生存终极悖论同时，也表达了一种自由主义伦理诉求。

His collegues were surprised at his absurd behaviour.

同事们对他那荒诞的行为感到吃惊。

The fallacy has been exposed in its naked absurdity.

谬论的荒诞性已被充分揭露。

Every moment of the fashion industry’s misery is richly deserved by the designers and magazine poltroons who perpetuate this absurd creation.

时装工业每苦的时刻都是完全应该被时装设计师们…和那些使种荒诞创造永久化的杂志懦夫领受。

Kafuka, an oddball and expediter in tbe western art, exhibits an eccentric while normal world to us with the lunatic eyes.

卡夫卡位西方艺的怪胎和探险家,以他“疯子”的眼睛向我们展示了荒诞的常人世界。

The author used a seemed calmness, impersonal and adiaphorous method to face the topic of the society and history of contemporary China.

荒诞的场面描写和幽默的语言风格是种喜剧化色彩的主要手段，作家举重若轻，意味深长，发人深思。

In virtue of the fantastic story, Wang Xiaobo presented a kind of ultimate contrary theory that exist at the same time, also expresses a kind of liberalistic ethical claim.

王小波正是借助种卡夫卡式的荒诞，在呈现了种生存的终极悖论的同时，也表达了种自由主义的伦理诉求。