History is nothing more than a tableau of crimes and misfortunes.

历史不过是由罪恶和灾难构成的静止舞台造型罢了。

Paradjanov divides his film into a series of tableaux. It is still very watchable for its bewitching visuals.

帕杰诺夫把影片分解成了一个一个场景。其视觉效果特别令人赏心悦目。

A prothonotary warbler adds a splash of gold to a tableau of cherry blossoms along the Tidal Basin in Washington, D.C.

华盛顿潮汐湖畔，一莺为樱花盛开的生动场面增添了一点黄金色。

Writing about the “Throne of the Mughal”, a tableau with dozens of enamelled and bejewelled figures, he states that the ruler is an “imaginary Asian”.

他介绍“莫卧儿的王冠”，在谈及几十个镶着宝石上着彩釉的人物画面时，指出这个统治者是一个“虚构的亚洲人”。

History is nothing more than a tableau of crimes and misfortunes.

历史不过是由灾难构成的静止舞台造型罢了。

Paradjanov divides his film into a series of tableaux. It is still very watchable for its bewitching visuals.

帕杰诺夫把影片分解成了一个一个。视觉效果特别令人赏心悦目。

A prothonotary warbler adds a splash of gold to a tableau of cherry blossoms along the Tidal Basin in Washington, D.C.

华盛顿潮汐湖畔，一只食虫莺为樱花盛开的生动面增添了一点黄金色。

Writing about the “Throne of the Mughal”, a tableau with dozens of enamelled and bejewelled figures, he states that the ruler is an “imaginary Asian”.

他介绍“莫卧儿的王冠”，在谈及几十个镶着宝石上着彩釉的人物画面时，指出这个统治者是一个“虚构的亚洲人”。

History is nothing more than a tableau of crimes and misfortunes.

历史不过是由罪恶和灾难构成的静止舞台造型罢了。

Paradjanov divides his film into a series of tableaux. It is still very watchable for its bewitching visuals.

帕杰诺夫把影片分解成了一个一个场景。其视觉效果特别令人赏心悦目。

A prothonotary warbler adds a splash of gold to a tableau of cherry blossoms along the Tidal Basin in Washington, D.C.

华盛顿潮，一只食虫莺为樱花盛开的生动场面增添了一点黄金色。

Writing about the “Throne of the Mughal”, a tableau with dozens of enamelled and bejewelled figures, he states that the ruler is an “imaginary Asian”.

他介绍“莫卧儿的王冠”，在谈及几十个镶着宝石上着彩釉的人物画面时，指出这个统治者是一个“虚构的亚洲人”。

History is nothing more than a tableau of crimes and misfortunes.

历史不过是由罪恶和灾难构成的静止舞台造型罢了。

Paradjanov divides his film into a series of tableaux. It is still very watchable for its bewitching visuals.

帕杰诺夫把影片分解成了一个一个场景。其视觉效果特别令人赏心悦目。

A prothonotary warbler adds a splash of gold to a tableau of cherry blossoms along the Tidal Basin in Washington, D.C.

华盛顿潮汐湖畔，一只食虫莺为樱花盛开的生动场面增添了一点黄金。

Writing about the “Throne of the Mughal”, a tableau with dozens of enamelled and bejewelled figures, he states that the ruler is an “imaginary Asian”.

绍“莫卧儿的王冠”，在谈及几十个镶着宝石上着彩釉的人物画面时，指出这个统治者是一个“虚构的亚洲人”。

History is nothing more than a tableau of crimes and misfortunes.

历史不过是由罪恶和灾难构成的静止舞台造型罢了。

Paradjanov divides his film into a series of tableaux. It is still very watchable for its bewitching visuals.

帕杰诺夫把影片分解成了一个一个场景。其视觉效果特别令人赏心悦目。

A prothonotary warbler adds a splash of gold to a tableau of cherry blossoms along the Tidal Basin in Washington, D.C.

华盛顿潮汐湖畔，一只为樱花盛开的生动场面增添了一点黄金色。

Writing about the “Throne of the Mughal”, a tableau with dozens of enamelled and bejewelled figures, he states that the ruler is an “imaginary Asian”.

他介绍“莫卧儿的王冠”，在谈及几十个镶着宝石上着彩釉的人物画面时，指出这个统治者是一个“虚构的亚洲人”。

History is nothing more than a tableau of crimes and misfortunes.

历史不过是由罪恶和灾难构成的静止舞台造型罢了。

Paradjanov divides his film into a series of tableaux. It is still very watchable for its bewitching visuals.

帕杰诺夫把影片分解成了个个场景。其视觉效果特别令人赏心悦目。

A prothonotary warbler adds a splash of gold to a tableau of cherry blossoms along the Tidal Basin in Washington, D.C.

华盛顿潮汐，只食虫莺为樱花盛开的生动场面增添了点黄金色。

Writing about the “Throne of the Mughal”, a tableau with dozens of enamelled and bejewelled figures, he states that the ruler is an “imaginary Asian”.

他介绍“莫卧儿的王冠”，在谈及几十个镶着宝石上着彩釉的人物画面时，指出这个统治者是个“虚构的亚洲人”。

History is nothing more than a tableau of crimes and misfortunes.

历史不过是由罪恶和灾难构成静止舞台造型罢了。

Paradjanov divides his film into a series of tableaux. It is still very watchable for its bewitching visuals.

帕杰诺夫把影片分解成了一个一个景。其视觉效果特别令人赏心悦目。

A prothonotary warbler adds a splash of gold to a tableau of cherry blossoms along the Tidal Basin in Washington, D.C.

华顿潮汐湖畔，一只食虫莺为樱生动增添了一点黄金色。

Writing about the “Throne of the Mughal”, a tableau with dozens of enamelled and bejewelled figures, he states that the ruler is an “imaginary Asian”.

他介绍“莫卧儿王冠”，在谈及几十个镶着宝石上着彩釉人物画时，指出这个统治者是一个“虚构亚洲人”。

History is nothing more than a tableau of crimes and misfortunes.

历史不过是由罪恶和灾难构成的静止舞台造型罢了。

Paradjanov divides his film into a series of tableaux. It is still very watchable for its bewitching visuals.

帕杰诺夫把影片分解成了一个一个场。其视觉效果特别令人赏心悦目。

A prothonotary warbler adds a splash of gold to a tableau of cherry blossoms along the Tidal Basin in Washington, D.C.

华盛顿潮汐湖畔，一只食樱花盛开的生动场面增添了一点黄金色。

Writing about the “Throne of the Mughal”, a tableau with dozens of enamelled and bejewelled figures, he states that the ruler is an “imaginary Asian”.

他介绍“莫卧儿的王冠”，在谈及几十个镶着宝石上着彩釉的人物画面时，指出这个统治者是一个“虚构的亚洲人”。

History is nothing more than a tableau of crimes and misfortunes.

过是由罪恶和灾难构成的静止舞台造型罢了。

Paradjanov divides his film into a series of tableaux. It is still very watchable for its bewitching visuals.

帕杰诺夫把影片分解成了一个一个场景。其视觉效令人赏心悦目。

A prothonotary warbler adds a splash of gold to a tableau of cherry blossoms along the Tidal Basin in Washington, D.C.

华盛顿潮汐湖畔，一只食虫莺为樱花盛开的生动场面增添了一点黄金色。

Writing about the “Throne of the Mughal”, a tableau with dozens of enamelled and bejewelled figures, he states that the ruler is an “imaginary Asian”.

他介绍“莫卧儿的王冠”，在谈及几十个镶着宝石上着彩釉的人物画面时，指出这个统治者是一个“虚构的亚洲人”。