It is obvious that Freek tragedy,especially Aristotle's hamartia has greatly influenced Hardy's writing and there is a serious vein of tragedy throughout the novel.

哈代在创作中受到希腊悲剧,特别亚斯多德悲剧主角“过失”说理论的影响,小说具有凝重的悲剧色彩。

In chapter thirteen, Aristotle outlines an ideal of the central character of tragedy, the so-called tragic hero, and identifies the source of the character's downfall with something called hamartia.

在第十三章，亚斯多德描画了一个悲剧中心角色--悲剧主人公的理想，并指出该角色的堕为一种叫“悲剧性缺陷”（hamartia）的东西。

It is obvious that Freek tragedy,especially Aristotle's hamartia has greatly influenced Hardy's writing and there is a serious vein of tragedy throughout the novel.

哈代在创作中受到希腊,特别是亚斯多德角“过失”说理论的影响,小说具有凝重的色彩。

In chapter thirteen, Aristotle outlines an ideal of the central character of tragedy, the so-called tragic hero, and identifies the source of the character's downfall with something called hamartia.

在第十三章，亚斯多德描画了一个中心角色--人公的理想，并指出该角色的堕落是因为一种叫“性缺”（hamartia）的东西。

It is obvious that Freek tragedy,especially Aristotle's hamartia has greatly influenced Hardy's writing and there is a serious vein of tragedy throughout the novel.

哈代在创作中受到希腊剧,特别是亚斯多德剧主角“过失”说理论影响,小说具有凝剧色彩。

In chapter thirteen, Aristotle outlines an ideal of the central character of tragedy, the so-called tragic hero, and identifies the source of the character's downfall with something called hamartia.

在第十三章，亚斯多德描画了一个剧中心角色--剧主人公理想，并指出该角色堕落是因为一种叫“剧性缺陷”（hamartia）东西。

It is obvious that Freek tragedy,especially Aristotle's hamartia has greatly influenced Hardy's writing and there is a serious vein of tragedy throughout the novel.

哈代在创作受到希腊悲,特别是亚斯多德悲主角“过失”说理论的影响,小说具有凝重的悲色彩。

In chapter thirteen, Aristotle outlines an ideal of the central character of tragedy, the so-called tragic hero, and identifies the source of the character's downfall with something called hamartia.

在第十三章，亚斯多德描画了一个悲角色--悲主人公的理，并指出该角色的堕落是因为一种叫“悲性缺陷”（hamartia）的东西。

It is obvious that Freek tragedy,especially Aristotle's hamartia has greatly influenced Hardy's writing and there is a serious vein of tragedy throughout the novel.

哈代在创作中受到希腊悲剧,特德悲剧主角“过失”说理论的影响,小说具有凝重的悲剧色彩。

In chapter thirteen, Aristotle outlines an ideal of the central character of tragedy, the so-called tragic hero, and identifies the source of the character's downfall with something called hamartia.

在第十三章，德描画了一个悲剧中心角色--悲剧主人公的理想，并指出该角色的堕落因为一种叫“悲剧性缺陷”（hamartia）的东西。

It is obvious that Freek tragedy,especially Aristotle's hamartia has greatly influenced Hardy's writing and there is a serious vein of tragedy throughout the novel.

哈代在创作受到希腊悲,特别是亚斯多德悲主角“过失”说理论的影响,小说具有凝重的悲色彩。

In chapter thirteen, Aristotle outlines an ideal of the central character of tragedy, the so-called tragic hero, and identifies the source of the character's downfall with something called hamartia.

在第十三章，亚斯多德描画了一个悲角色--悲主人公的理，并指出该角色的堕落是因为一种叫“悲性缺陷”（hamartia）的东西。

It is obvious that Freek tragedy,especially Aristotle's hamartia has greatly influenced Hardy's writing and there is a serious vein of tragedy throughout the novel.

哈代在创作中受到希腊剧,特别是亚斯多德剧主角“过失”说理论的影响,小说具有凝重的剧色彩。

In chapter thirteen, Aristotle outlines an ideal of the central character of tragedy, the so-called tragic hero, and identifies the source of the character's downfall with something called hamartia.

在第十三章，亚斯多德描画了剧中心角色--剧主人公的理想，并指出该角色的堕落是因为种叫“剧性缺陷”（hamartia）的东西。

It is obvious that Freek tragedy,especially Aristotle's hamartia has greatly influenced Hardy's writing and there is a serious vein of tragedy throughout the novel.

哈代在创作中受到希腊,特别是亚斯多德主角“过失”说理论影响,小说具有凝重色彩。

In chapter thirteen, Aristotle outlines an ideal of the central character of tragedy, the so-called tragic hero, and identifies the source of the character's downfall with something called hamartia.

在第十三章，亚斯多德描画了一个中心角色--主人公理想，并指出该角色堕落是因为一种叫“性缺陷”（hamartia）东西。

It is obvious that Freek tragedy,especially Aristotle's hamartia has greatly influenced Hardy's writing and there is a serious vein of tragedy throughout the novel.

哈代在创作中受到希腊悲剧,特别是亚德悲剧主角“过”说理论的影响,小说具有凝重的悲剧色彩。

In chapter thirteen, Aristotle outlines an ideal of the central character of tragedy, the so-called tragic hero, and identifies the source of the character's downfall with something called hamartia.

在第十三章，亚德描画了一个悲剧中心角色--悲剧主人公的理想，并指出该角色的堕落是因为一种叫“悲剧性缺陷”（hamartia）的东西。