The young boy played the violin sonata masterfully.

那个小男孩的小提琴奏鸣曲拉得熟练。

He played a piano sonata of his own composition.

他弹奏了一首自作的钢琴奏鸣曲。

I committed the sonata to memory.

我记住了奏鸣曲。

He played a Beethoven sonata yesterday.

他昨天演奏了贝多芬的奏鸣曲。

These are the opening chords of a sonata.

这些是奏鸣曲的起始和弦。

Let’s go through the sonata once more.

这个奏鸣曲咱们再练习一遍。

Many in the audience lack the background and taste to discern a good performance of the sonata from a bad one.

许多听众不了解文和缺乏审美情趣，不能区分奏鸣曲表演的优劣。

Beginning with the basic concept and definition of version, bibliology and version of piano sonata literature, the subject will be collated to the category of bibliology.

本课题从版本、版本学及钢琴文献之版本的基本概念和定义入手，将研究厘定于版本学的范畴之中。

The young boy played the violin sonata masterfully.

那个小男孩的小提琴拉得熟练。

He played a piano sonata of his own composition.

了一首自作的钢琴。

I committed the sonata to memory.

我记住了。

He played a Beethoven sonata yesterday.

昨天演了贝多芬的。

These are the opening chords of a sonata.

这些是的起始和弦。

Let’s go through the sonata once more.

这个咱们再练习一遍。

Many in the audience lack the background and taste to discern a good performance of the sonata from a bad one.

许多听众不了解文化背景和缺乏审美情趣，不能区分表演的优劣。

Beginning with the basic concept and definition of version, bibliology and version of piano sonata literature, the subject will be collated to the category of bibliology.

本课题从版本、版本学及钢琴文献之版本的基本概念和定义入手，将研究厘定于版本学的范畴之中。

The young boy played the violin sonata masterfully.

那个小男孩的小提琴鸣拉得熟练。

He played a piano sonata of his own composition.

他弹了一首自作的钢琴鸣。

I committed the sonata to memory.

我记住了鸣。

He played a Beethoven sonata yesterday.

他昨天演了贝芬的鸣。

These are the opening chords of a sonata.

这些是鸣的起始和弦。

Let’s go through the sonata once more.

这个鸣咱们再练习一。

Many in the audience lack the background and taste to discern a good performance of the sonata from a bad one.

听众不了解文化背景和缺乏审美情趣，不能区分鸣表演的优劣。

Beginning with the basic concept and definition of version, bibliology and version of piano sonata literature, the subject will be collated to the category of bibliology.

本课题从版本、版本学及钢琴文献之版本的基本概念和定义入手，将研究厘定于版本学的范畴之中。

The young boy played the violin sonata masterfully.

那个小男孩的小提琴奏鸣曲拉得熟练。

He played a piano sonata of his own composition.

他弹奏一首自作的钢琴奏鸣曲。

I committed the sonata to memory.

我奏鸣曲。

He played a Beethoven sonata yesterday.

他昨天演奏贝多芬的奏鸣曲。

These are the opening chords of a sonata.

这些是奏鸣曲的起始和弦。

Let’s go through the sonata once more.

这个奏鸣曲咱们再练习一遍。

Many in the audience lack the background and taste to discern a good performance of the sonata from a bad one.

许多听众不解文化背景和缺乏审美情趣，不能区分奏鸣曲表演的优劣。

Beginning with the basic concept and definition of version, bibliology and version of piano sonata literature, the subject will be collated to the category of bibliology.

本课题从版本、版本学及钢琴文献之版本的基本概念和定义入手，将研究厘定于版本学的范畴之中。

The young boy played the violin sonata masterfully.

那个小男孩的小提琴奏鸣曲拉得熟。

He played a piano sonata of his own composition.

他弹奏了首自作的钢琴奏鸣曲。

I committed the sonata to memory.

我记住了奏鸣曲。

He played a Beethoven sonata yesterday.

他昨天演奏了多芬的奏鸣曲。

These are the opening chords of a sonata.

这些是奏鸣曲的起始和弦。

Let’s go through the sonata once more.

这个奏鸣曲咱们再遍。

Many in the audience lack the background and taste to discern a good performance of the sonata from a bad one.

许多听众不了解文化背景和缺乏审美情趣，不能区分奏鸣曲表演的优劣。

Beginning with the basic concept and definition of version, bibliology and version of piano sonata literature, the subject will be collated to the category of bibliology.

本课题从版本、版本学及钢琴文献之版本的基本概念和定义入手，将研究厘定于版本学的范畴之中。

The young boy played the violin sonata masterfully.

小男孩的小提曲拉得熟练。

He played a piano sonata of his own composition.

他弹了一首自作的钢曲。

I committed the sonata to memory.

我记住了曲。

He played a Beethoven sonata yesterday.

他昨天演了贝多芬的曲。

These are the opening chords of a sonata.

这些是曲的起始和弦。

Let’s go through the sonata once more.

这曲咱们再练习一遍。

Many in the audience lack the background and taste to discern a good performance of the sonata from a bad one.

许多听众不了解文化背景和缺乏审美情趣，不能区分曲表演的优劣。

Beginning with the basic concept and definition of version, bibliology and version of piano sonata literature, the subject will be collated to the category of bibliology.

本课题从版本、版本学及钢文献之版本的基本概念和定义入手，将研究厘定于版本学的范畴之中。

The young boy played the violin sonata masterfully.

那个小男孩的小提琴拉得熟练。

He played a piano sonata of his own composition.

了一首自作的钢琴。

I committed the sonata to memory.

我记住了。

He played a Beethoven sonata yesterday.

昨天演了贝多芬的。

These are the opening chords of a sonata.

这些是的起始和弦。

Let’s go through the sonata once more.

这个咱们再练习一遍。

Many in the audience lack the background and taste to discern a good performance of the sonata from a bad one.

许多听众不了解文化背景和缺乏审美情趣，不能区分表演的优劣。

Beginning with the basic concept and definition of version, bibliology and version of piano sonata literature, the subject will be collated to the category of bibliology.

本课题从版本、版本学及钢琴文献之版本的基本概念和定义入手，将研究厘定于版本学的范畴之中。

The young boy played the violin sonata masterfully.

那个小男孩的小提琴奏鸣曲拉得熟练。

He played a piano sonata of his own composition.

他弹奏了一首自作的钢琴奏鸣曲。

I committed the sonata to memory.

我记住了奏鸣曲。

He played a Beethoven sonata yesterday.

他昨天演奏了贝多芬的奏鸣曲。

These are the opening chords of a sonata.

这些是奏鸣曲的起始和弦。

Let’s go through the sonata once more.

这个奏鸣曲咱们再练习一遍。

Many in the audience lack the background and taste to discern a good performance of the sonata from a bad one.

许多了解文化背景和缺乏审美情趣，能区分奏鸣曲表演的优劣。

Beginning with the basic concept and definition of version, bibliology and version of piano sonata literature, the subject will be collated to the category of bibliology.

本课题从版本、版本学及钢琴文献之版本的基本概念和定义入手，将研究厘定于版本学的范畴之中。

The young boy played the violin sonata masterfully.

那个小男孩的小提琴奏鸣曲拉得熟练。

He played a piano sonata of his own composition.

他弹奏了一首自作的钢琴奏鸣曲。

I committed the sonata to memory.

我记住了奏鸣曲。

He played a Beethoven sonata yesterday.

他昨天演奏了贝多芬的奏鸣曲。

These are the opening chords of a sonata.

这些是奏鸣曲的起。

Let’s go through the sonata once more.

这个奏鸣曲咱们再练习一遍。

Many in the audience lack the background and taste to discern a good performance of the sonata from a bad one.

许多听众不了解文化背景缺乏审美情趣，不能区分奏鸣曲表演的优劣。

Beginning with the basic concept and definition of version, bibliology and version of piano sonata literature, the subject will be collated to the category of bibliology.

本课题从版本、版本学及钢琴文献之版本的基本概念定义入手，将研究厘定于版本学的范畴之中。