Singing after Hymen's Birds, musing in Psalter's gradus.

诗也《关雎》，歌而汉乐。

His muse had deserted him, and he could no longer write.

他已无灵感, 不能再写作了。

Something must have happened to her. She has been sitting there musing for hours.

"她一定是有什么事了,一连几小时坐在那里沉思默想。"

Much of the work on view was produced after 1926, when Bonnard and his model, muse and wife, Marthe, moved into “Le Bosquet”, an unimposing villa above Cannes.

展出中许多都作于1926年之后，当时博纳尔带着玛莎——他的模特儿，他的灵感和他的爱妻——搬进了戛纳城郊一个不起眼的别墅“乐博凯斯”。

Singing after Hymen's Birds, musing in Psalter's gradus.

诗也《关雎》，歌而汉乐。

His muse had deserted him, and he could no longer write.

他已无灵感, 不能再写作了。

Something must have happened to her. She has been sitting there musing for hours.

"她一定是有什么事了,一连几小时坐在思默想。"

Much of the work on view was produced after 1926, when Bonnard and his model, muse and wife, Marthe, moved into “Le Bosquet”, an unimposing villa above Cannes.

展出中许多都作于1926年之后，当时博纳玛莎——他的模特儿，他的灵感和他的爱妻——搬进了戛纳城郊一个不起眼的别墅“乐博凯斯”。

Singing after Hymen's Birds, musing in Psalter's gradus.

诗也《关雎》，歌而汉乐。

His muse had deserted him, and he could no longer write.

他已无灵感, 不能再写作了。

Something must have happened to her. She has been sitting there musing for hours.

"她一定是有什么事了,一连几小时坐在那里沉思默想。"

Much of the work on view was produced after 1926, when Bonnard and his model, muse and wife, Marthe, moved into “Le Bosquet”, an unimposing villa above Cannes.

展出中许多都作于1926年之后，当时博纳尔带着玛莎——他的模特儿，他的灵感和他的爱妻——搬进了戛纳城郊一个不起眼的别墅“乐博凯斯”。

Singing after Hymen's Birds, musing in Psalter's gradus.

诗也《关雎》，歌而汉乐。

His muse had deserted him, and he could no longer write.

他已无灵感, 不能再写作了。

Something must have happened to her. She has been sitting there musing for hours.

"她一定是有什么事了,一连几小时里沉思默想。"

Much of the work on view was produced after 1926, when Bonnard and his model, muse and wife, Marthe, moved into “Le Bosquet”, an unimposing villa above Cannes.

展出中许多都作于1926年之后，当时博纳尔带——他的模特儿，他的灵感和他的爱妻——搬进了戛纳城郊一个不起眼的别墅“乐博凯斯”。

Singing after Hymen's Birds, musing in Psalter's gradus.

诗也《关》，汉。

His muse had deserted him, and he could no longer write.

他已无灵感, 不能再写作了。

Something must have happened to her. She has been sitting there musing for hours.

"她一定是有什么事了,一连几小时坐在那里沉思默想。"

Much of the work on view was produced after 1926, when Bonnard and his model, muse and wife, Marthe, moved into “Le Bosquet”, an unimposing villa above Cannes.

展出中许多都作于1926年之后，当时博纳尔带着玛莎——他的模特儿，他的灵感和他的爱妻——搬进了戛纳城郊一个不起眼的“博凯斯”。

Singing after Hymen's Birds, musing in Psalter's gradus.

诗也《关雎》，歌而汉乐。

His muse had deserted him, and he could no longer write.

他已, 不能再写作了。

Something must have happened to her. She has been sitting there musing for hours.

"她定是有什么事了,连几小时坐在那里沉思默想。"

Much of the work on view was produced after 1926, when Bonnard and his model, muse and wife, Marthe, moved into “Le Bosquet”, an unimposing villa above Cannes.

展出中许多都作于1926年之后，当时博纳尔带着玛莎——他的模特儿，他的和他的爱妻——搬进了戛纳城不起眼的别墅“乐博凯斯”。

Singing after Hymen's Birds, musing in Psalter's gradus.

诗也《关雎》，歌而汉乐。

His muse had deserted him, and he could no longer write.

已无灵感, 不能再写作了。

Something must have happened to her. She has been sitting there musing for hours.

"她一定是有什么事了,一连几小那里沉思默想。"

Much of the work on view was produced after 1926, when Bonnard and his model, muse and wife, Marthe, moved into “Le Bosquet”, an unimposing villa above Cannes.

展出中许多都作于1926年之后，当博纳尔带着——的模特儿，的灵感和的爱妻——搬进了戛纳城郊一个不起眼的别墅“乐博凯斯”。

Singing after Hymen's Birds, musing in Psalter's gradus.

诗也《关雎》，歌而汉乐。

His muse had deserted him, and he could no longer write.

他已无灵感, 不能再写作了。

Something must have happened to her. She has been sitting there musing for hours.

"她一定是有什么事了,一连几小时坐在那里沉思默想。"

Much of the work on view was produced after 1926, when Bonnard and his model, muse and wife, Marthe, moved into “Le Bosquet”, an unimposing villa above Cannes.

展出中许多都作于1926年之后，当时博纳尔带着玛莎——他的模特儿，他的灵感和他的爱妻——搬进了戛纳城郊一个不起眼的别墅“乐博凯斯”。

Singing after Hymen's Birds, musing in Psalter's gradus.

诗也《关雎》，歌而汉乐。

His muse had deserted him, and he could no longer write.

他已无灵感, 不能再写作了。

Something must have happened to her. She has been sitting there musing for hours.

"她一定是有什么事了,一连几小坐在那里沉。"

Much of the work on view was produced after 1926, when Bonnard and his model, muse and wife, Marthe, moved into “Le Bosquet”, an unimposing villa above Cannes.

展出中许多都作于1926年之后，当尔带着玛莎——他的模特儿，他的灵感和他的爱妻——搬进了戛城郊一个不起眼的别墅“乐凯斯”。