It is obvious that Freek tragedy,especially Aristotle's hamartia has greatly influenced Hardy's writing and there is a serious vein of tragedy throughout the novel.

代在创作中受到希腊悲剧,特别是亚里斯多德悲剧“失”说理论的影响,小说具有凝重的悲剧色彩。

In chapter thirteen, Aristotle outlines an ideal of the central character of tragedy, the so-called tragic hero, and identifies the source of the character's downfall with something called hamartia.

在第十三章，亚里斯多德描画了一个悲剧中心色--悲剧人公的理想，并指出该色的堕落是因为一种叫“悲剧性缺陷”（hamartia）的东西。

It is obvious that Freek tragedy,especially Aristotle's hamartia has greatly influenced Hardy's writing and there is a serious vein of tragedy throughout the novel.

代在创作中受到希腊,特别是亚里斯多德主角“过失”说理论的影响,小说具有凝重的彩。

In chapter thirteen, Aristotle outlines an ideal of the central character of tragedy, the so-called tragic hero, and identifies the source of the character's downfall with something called hamartia.

在第十三章，亚里斯多德描画了一个中心角--主人公的理想，并指出该角的堕落是因为一种叫“性缺陷”（hamartia）的东西。

It is obvious that Freek tragedy,especially Aristotle's hamartia has greatly influenced Hardy's writing and there is a serious vein of tragedy throughout the novel.

代在创作中受到希腊剧,特别是亚里斯德剧主角“过失”说理论的影响,小说具有凝重的剧色彩。

In chapter thirteen, Aristotle outlines an ideal of the central character of tragedy, the so-called tragic hero, and identifies the source of the character's downfall with something called hamartia.

在第十三章，亚里斯德描画了一个剧中心角色--剧主人公的理想，并指出该角色的堕落是因为一种叫“剧性缺陷”（hamartia）的东西。

It is obvious that Freek tragedy,especially Aristotle's hamartia has greatly influenced Hardy's writing and there is a serious vein of tragedy throughout the novel.

作中受到希腊悲剧,特别是亚里斯多德悲剧主角“过失”说理论的影响,小说具有凝重的悲剧色彩。

In chapter thirteen, Aristotle outlines an ideal of the central character of tragedy, the so-called tragic hero, and identifies the source of the character's downfall with something called hamartia.

第十三章，亚里斯多德描画了一个悲剧中心角色--悲剧主人公的理想，并指出该角色的堕落是因为一种叫“悲剧性缺陷”（hamartia）的东西。

It is obvious that Freek tragedy,especially Aristotle's hamartia has greatly influenced Hardy's writing and there is a serious vein of tragedy throughout the novel.

代在创作中受悲剧,特别是亚里斯多德悲剧主角“过失”说理论的影响,小说具有凝重的悲剧色彩。

In chapter thirteen, Aristotle outlines an ideal of the central character of tragedy, the so-called tragic hero, and identifies the source of the character's downfall with something called hamartia.

在第十三章，亚里斯多德描画了一个悲剧中心角色--悲剧主公的理想，并指出该角色的堕落是因为一种叫“悲剧性缺陷”（hamartia）的东西。

It is obvious that Freek tragedy,especially Aristotle's hamartia has greatly influenced Hardy's writing and there is a serious vein of tragedy throughout the novel.

代在创作希腊悲剧,特别是亚里斯多德悲剧主角“过失”说理论的影响,小说具有凝重的悲剧色彩。

In chapter thirteen, Aristotle outlines an ideal of the central character of tragedy, the so-called tragic hero, and identifies the source of the character's downfall with something called hamartia.

在第十三章，亚里斯多德描画了一个悲剧心角色--悲剧主人公的理想，并指出该角色的堕落是因为一种叫“悲剧性缺陷”（hamartia）的东西。

It is obvious that Freek tragedy,especially Aristotle's hamartia has greatly influenced Hardy's writing and there is a serious vein of tragedy throughout the novel.

代在创作中受到,特别是亚里斯多德角“过失”说理论的影响,小说具有凝重的色彩。

In chapter thirteen, Aristotle outlines an ideal of the central character of tragedy, the so-called tragic hero, and identifies the source of the character's downfall with something called hamartia.

在第十三章，亚里斯多德描画了一个中心角色--人公的理想，并指出该角色的堕落是因为一种叫“性缺陷”（hamartia）的东西。

It is obvious that Freek tragedy,especially Aristotle's hamartia has greatly influenced Hardy's writing and there is a serious vein of tragedy throughout the novel.

代创作中受到希腊悲剧,特别是亚里斯多德悲剧主角“过失”说理论的影响,小说具有凝重的悲剧色彩。

In chapter thirteen, Aristotle outlines an ideal of the central character of tragedy, the so-called tragic hero, and identifies the source of the character's downfall with something called hamartia.

三章，亚里斯多德描画了一个悲剧中心角色--悲剧主人公的理想，并指出该角色的堕落是因为一种叫“悲剧性缺陷”（hamartia）的东西。

It is obvious that Freek tragedy,especially Aristotle's hamartia has greatly influenced Hardy's writing and there is a serious vein of tragedy throughout the novel.

代在创作中受到希腊悲剧,特别是亚里斯多德悲剧主角“过失”说理论的影响,小说具有凝重的悲剧色彩。

In chapter thirteen, Aristotle outlines an ideal of the central character of tragedy, the so-called tragic hero, and identifies the source of the character's downfall with something called hamartia.

在第十三章，亚里斯多德描画了一个悲剧中心角色--悲剧主人公的理想，并角色的堕落是因为一种叫“悲剧性缺陷”（hamartia）的东西。