Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低音管接着发出安静折信号，带出了漫钢琴主题。同时钢琴变为最弱音十六分音符伴奏。

Chinese farmers have changed from natural man to rational economic man gradually in the tide of the market economy，which is no longer “bolar man” in the traditional sense.

中国农民在市场经济大潮中也逐渐自然人变为理性经济人，而不再是传统意义上“泥腿子”。

Nietzsche speaks often of resentment but uses the French for ressentiment, in an effort to turn it into a term of art - that is, a technical term, a piece of jargon.

尼采常论及“愤懑”（resentment）,但却使用法文‘ressentiment’，并试着变为艺术术语,也就是行话。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低音管接着发出安静转折信号，带出了漫游式钢琴主题。同时钢琴转变为最弱音十六分音符。

Chinese farmers have changed from natural man to rational economic man gradually in the tide of the market economy，which is no longer “bolar man” in the traditional sense.

中国农民在市场经济大潮中也逐渐自然人转变为理性经济人，而不再是传统“泥腿子”。

Nietzsche speaks often of resentment but uses the French for ressentiment, in an effort to turn it into a term of art - that is, a technical term, a piece of jargon.

尼采常论及“愤懑”（resentment）,但却使用法文‘ressentiment’，并试着把它转变为艺术术语,也就是行话。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低音管接着发安静的转折信号，带游式的钢琴主题。同时钢琴转最弱音的十六分音符的伴奏。

Chinese farmers have changed from natural man to rational economic man gradually in the tide of the market economy，which is no longer “bolar man” in the traditional sense.

中国的农民在市场经济的大潮中也逐渐自然人转理性经济人，而不再是传统意义上的“泥腿子”。

Nietzsche speaks often of resentment but uses the French for ressentiment, in an effort to turn it into a term of art - that is, a technical term, a piece of jargon.

尼采常论及“愤懑”（resentment）,但却使用法文‘ressentiment’，并试着把它转术的术语,也就是行话。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低音管接着发出安静的转折信号，带出了漫游式的钢琴主题。同时钢琴转变为最弱音的十六音符的伴奏。

Chinese farmers have changed from natural man to rational economic man gradually in the tide of the market economy，which is no longer “bolar man” in the traditional sense.

中国的农民在市场经济的大潮中也逐渐自然人转变为理经济人，而不再是传统意义上的“泥腿子”。

Nietzsche speaks often of resentment but uses the French for ressentiment, in an effort to turn it into a term of art - that is, a technical term, a piece of jargon.

尼采常论及“愤懑”（resentment）,但却使用法文‘ressentiment’，并试着把它转变为艺术的术语,也就是行话。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低管接着发出安静转折信号，带出了漫游式钢琴主题。同时钢琴转变为最弱十六分伴奏。

Chinese farmers have changed from natural man to rational economic man gradually in the tide of the market economy，which is no longer “bolar man” in the traditional sense.

中国农民在市场经济大潮中也逐渐自然人转变为理性经济人，而不再是传统意义“腿子”。

Nietzsche speaks often of resentment but uses the French for ressentiment, in an effort to turn it into a term of art - that is, a technical term, a piece of jargon.

尼采常论及“愤懑”（resentment）,但却使用法文‘ressentiment’，并试着把它转变为艺术术语,也就是行话。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低音管接着发安静的转折信号，带游式的钢琴主题。同时钢琴转最弱音的十六分音符的伴奏。

Chinese farmers have changed from natural man to rational economic man gradually in the tide of the market economy，which is no longer “bolar man” in the traditional sense.

中国的农民在市场经济的大潮中也逐渐自然人转理性经济人，而不再是传统意义上的“泥腿子”。

Nietzsche speaks often of resentment but uses the French for ressentiment, in an effort to turn it into a term of art - that is, a technical term, a piece of jargon.

尼采常论及“愤懑”（resentment）,但却使用法文‘ressentiment’，并试着把它转术的术语,也就是行话。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低音管接着发出安静转折，出了漫游式钢琴主题。同时钢琴转变为最弱音十六分音符伴奏。

Chinese farmers have changed from natural man to rational economic man gradually in the tide of the market economy，which is no longer “bolar man” in the traditional sense.

中国农民在市场经济大潮中也逐渐自然人转变为理性经济人，而不再是传统意义上“泥腿子”。

Nietzsche speaks often of resentment but uses the French for ressentiment, in an effort to turn it into a term of art - that is, a technical term, a piece of jargon.

尼采常论及“愤懑”（resentment）,但却使用法文‘ressentiment’，并试着把它转变为艺语,也就是行话。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低音管接着发出安静转折信号，带出了漫游式钢琴主题。同时钢琴转变为最弱音十六分音符伴奏。

Chinese farmers have changed from natural man to rational economic man gradually in the tide of the market economy，which is no longer “bolar man” in the traditional sense.

中国在市场经济大潮中也逐渐自然人转变为理性经济人，而传统意义上“泥腿子”。

Nietzsche speaks often of resentment but uses the French for ressentiment, in an effort to turn it into a term of art - that is, a technical term, a piece of jargon.

尼采常论及“愤懑”（resentment）,但却使用法文‘ressentiment’，并试着把它转变为艺术术语,也就行话。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低音管接着发出安静的转折信号，带出了漫游式的钢琴主题。同时钢琴转变为最弱音的十六分音符的伴奏。

Chinese farmers have changed from natural man to rational economic man gradually in the tide of the market economy，which is no longer “bolar man” in the traditional sense.

中国的农民经的大潮中也逐渐自然转变为理性经，不再是传统意义上的“泥腿子”。

Nietzsche speaks often of resentment but uses the French for ressentiment, in an effort to turn it into a term of art - that is, a technical term, a piece of jargon.

尼采常论及“愤懑”（resentment）,但却使用法文‘ressentiment’，并试着把它转变为艺术的术语,也就是行话。