Traditional identification as to the three styles in singing performance has been tostada in the development in music arts.

约定俗成的“三种唱法”划分模式已越来越不利于声乐事业的发展，它束缚了人们对声乐这门艺术的艺术性思想性的表现。

It will be directive to know well about Falla and extemportize this piece of masterpiece regarding to analysis and investigation.

法雅的《西班牙民歌七首》，是他的代表性声乐，对其进行分析与研究，对于了解法雅以及演唱此部有良好的指导用。

The issue of vocal cords vibrating in voice training is easy to lead to making voice dark,dry and coarse,raucity even caused pathological changes such as vocal cords polyp.

在声乐训练的实践中,由于缺少对声带振动问题积极而细微的感知研究,从而产生了一系列诸如声音的挤、卡、沙、抖、暗的现象,乃至出现声带息肉、小结等病变,从而延长声乐训练的过程。

Traditional identification as to the three styles in singing performance has been tostada in the development in music arts.

约定俗成“三种唱法”划分模式已越来越不利于事业发展，它束缚了人们对门艺术艺术性和思想性认识和表现。

It will be directive to know well about Falla and extemportize this piece of masterpiece regarding to analysis and investigation.

法雅作品《西班牙民歌七首》，是他代表性作，对其进行分析与研究，对于了解法雅以及演唱此部作品都有良好指导作用。

The issue of vocal cords vibrating in voice training is easy to lead to making voice dark,dry and coarse,raucity even caused pathological changes such as vocal cords polyp.

在训践中,由于缺少对带振动问题积极而细微感知和研究,从而产生了一系列诸如音挤、卡、沙、抖、暗现象,乃至出现带息肉、小结等病变,从而延长训过程。

Traditional identification as to the three styles in singing performance has been tostada in the development in music arts.

约定俗成“三种唱法”划分模式已越来越不利于声乐事业发展，它束缚了人们对声乐这门艺术艺术性和思想性认识和表现。

It will be directive to know well about Falla and extemportize this piece of masterpiece regarding to analysis and investigation.

法雅作品《西班牙民歌七首》，是他代表性声乐作，对其进行分析与研究，对于了解法雅以及演唱此部作品都有良好指导作用。

The issue of vocal cords vibrating in voice training is easy to lead to making voice dark,dry and coarse,raucity even caused pathological changes such as vocal cords polyp.

在声乐训练实践中,由于缺少对声带振动问题积极而细微感知和研究,从而产生了一系列诸如声音、、沙、抖、暗现象,乃至出现声带息肉、小结等病变,从而延长声乐训练过程。

Traditional identification as to the three styles in singing performance has been tostada in the development in music arts.

约定俗成“三种唱法”划分模式已越来越不利于声乐事业发展，它束缚了人们对声乐这门艺术艺术和思想识和表现。

It will be directive to know well about Falla and extemportize this piece of masterpiece regarding to analysis and investigation.

法雅作品《西班牙民歌七首》，是他代表声乐作，对其进行分析与研究，对于了解法雅以及演唱此部作品有好指导作用。

The issue of vocal cords vibrating in voice training is easy to lead to making voice dark,dry and coarse,raucity even caused pathological changes such as vocal cords polyp.

在声乐训练实践中,由于缺少对声带振动问题积极而细微感知和研究,从而产生了一系列诸如声音挤、卡、沙、抖、暗现象,乃至出现声带息肉、小结等病变,从而延长声乐训练过程。

Traditional identification as to the three styles in singing performance has been tostada in the development in music arts.

约定俗成“三种唱法”划分模式已越来越不利于乐事业，它束缚了人们对乐这门艺术艺术性和思想性认识和表现。

It will be directive to know well about Falla and extemportize this piece of masterpiece regarding to analysis and investigation.

法雅作品《西班牙民歌七首》，是他代表性乐作，对其进行分析与研究，对于了解法雅以及演唱此部作品都有良好指导作用。

The issue of vocal cords vibrating in voice training is easy to lead to making voice dark,dry and coarse,raucity even caused pathological changes such as vocal cords polyp.

在乐训练实践中,由于缺少对动问题积极而细微感知和研究,从而产生了一系列诸如音挤、卡、沙、抖、暗现象,乃至出现息肉、小结等病变,从而延长乐训练过程。

Traditional identification as to the three styles in singing performance has been tostada in the development in music arts.

约定俗成“三种唱法”划分模式已不利于声乐事业发展，它束缚了人们对声乐这门艺术艺术性和思想性认识和表现。

It will be directive to know well about Falla and extemportize this piece of masterpiece regarding to analysis and investigation.

法雅作品《西班牙民歌七首》，是他代表性声乐作，对其进行分析与研究，对于了解法雅以及演唱此部作品都有良好指导作用。

The issue of vocal cords vibrating in voice training is easy to lead to making voice dark,dry and coarse,raucity even caused pathological changes such as vocal cords polyp.

在声乐训练实践中,由于缺少对声带振动问题积极而细知和研究,从而产生了一系列诸如声音挤、卡、沙、抖、暗现象,乃至出现声带息肉、小结等病变,从而延长声乐训练过程。

Traditional identification as to the three styles in singing performance has been tostada in the development in music arts.

约定俗成“三种唱法”划分模式已越来越不利于声乐事业发展，它束缚了人们对声乐这门艺术艺术性性认识表现。

It will be directive to know well about Falla and extemportize this piece of masterpiece regarding to analysis and investigation.

法雅作品《西班牙民歌七首》，是他代表性声乐作，对其进行分析与研究，对于了解法雅以及演唱此部作品都有良导作用。

The issue of vocal cords vibrating in voice training is easy to lead to making voice dark,dry and coarse,raucity even caused pathological changes such as vocal cords polyp.

在声乐训练实践中,由于缺少对声带振动问题积极而细微感知研究,从而产生了一系列诸如声音挤、卡、沙、抖、暗现象,乃至出现声带息肉、小结等病变,从而延长声乐训练过程。

Traditional identification as to the three styles in singing performance has been tostada in the development in music arts.

约定俗成“三种唱法”划分模式已越来越不利于声乐事业发展，它束缚了人们对声乐这门艺术艺术性和思想性认识和表现。

It will be directive to know well about Falla and extemportize this piece of masterpiece regarding to analysis and investigation.

法品《西班牙民歌七首》，是他代表性声乐，对其进行分析与研究，对于了解法唱此部品都有良好指导用。

The issue of vocal cords vibrating in voice training is easy to lead to making voice dark,dry and coarse,raucity even caused pathological changes such as vocal cords polyp.

在声乐训练实践中,由于缺少对声带振动问题积极而细微感知和研究,从而产生了一系列诸如声音挤、卡、沙、抖、暗现象,乃至出现声带息肉、小结等病变,从而延长声乐训练过程。

Traditional identification as to the three styles in singing performance has been tostada in the development in music arts.

约定俗成的“三种唱法”划分模式已越来越不利声乐事业的发展，它束缚了人们声乐这门艺术的艺术性和思想性的认识和表现。

It will be directive to know well about Falla and extemportize this piece of masterpiece regarding to analysis and investigation.

法雅的作品《西班牙首》，是他的代表性声乐作，其进行分析与研，了解法雅以及演唱此部作品都有良好的指导作用。

The issue of vocal cords vibrating in voice training is easy to lead to making voice dark,dry and coarse,raucity even caused pathological changes such as vocal cords polyp.

在声乐训练的实践中,由缺少声带振动问题积极而细微的感知和研,从而产生了一系列诸如声音的挤、卡、沙、抖、暗的现象,乃至出现声带息肉、小结等病变,从而延长声乐训练的过程。

Traditional identification as to the three styles in singing performance has been tostada in the development in music arts.

成的“三种唱法”划分模式已越来越不利于声乐事业的发展，它束缚了人们对声乐这门艺术的艺术性和思想性的认识和表现。

It will be directive to know well about Falla and extemportize this piece of masterpiece regarding to analysis and investigation.

法雅的作品《西班牙民歌七首》，是他的代表性声乐作，对其进行分析与研究，对于了解法雅以及演唱此部作品都有良好的指导作用。

The issue of vocal cords vibrating in voice training is easy to lead to making voice dark,dry and coarse,raucity even caused pathological changes such as vocal cords polyp.

在声乐训练的实践中,由于缺少对声带振动问题积极而细微的感知和研究,从而产生了一系声音的挤、卡、沙、抖、暗的现象,乃至出现声带息肉、小结等病变,从而延长声乐训练的过程。