As a typologic literature, wuxia-novel has formed it's own particular and fixed narrative syntax and archetypal factor in the long-term evolvement.

小说作为一种类型文学，在长期的演变过程中形成了自身独特而相对固定的基本叙事语法和原型性因素，江湖就小说基本叙事语法中的原型性因素之一。

The poems of this phase had generally a narrative thread that was reduced at times to a shadow-and they rambled gracefully, argumentatively, variously.

一阶段的诗，一般有一条有时谈到只剩一的叙事的线索，些诗就样优雅庄重地，追根究底地，变幻多端地抒写下去。

Fairy tales go through a way of establishing a flinty world to realize the possible dimension, the possible narration in order to decipher the adelomorphic society.

童话通过一种构建虚幻空间来实现可能的维度、可能的叙事，来讲述能解读的隐形的社会。

As a typologic literature, wuxia-novel has formed it's own particular and fixed narrative syntax and archetypal factor in the long-term evolvement.

武侠小说作为类型文，期的演变程中形成了自身独特而相对固定的基本叙事语法和原型性因素，江湖就是武侠小说基本叙事语法中的原型性因素之。

The poems of this phase had generally a narrative thread that was reduced at times to a shadow-and they rambled gracefully, argumentatively, variously.

阶段的诗，般有条有时谈到只剩点影子的叙事的线索，些诗就是样优雅庄重地，追根究底地，变幻多端地抒写下去。

Fairy tales go through a way of establishing a flinty world to realize the possible dimension, the possible narration in order to decipher the adelomorphic society.

童话通构建虚幻空间来实现可能的维度、可能的叙事，来讲述能解读的隐形的社会。

As a typologic literature, wuxia-novel has formed it's own particular and fixed narrative syntax and archetypal factor in the long-term evolvement.

武侠小说作为一种类型文学，在长期的演变过程中形成了自身独特而相对固定的基本叙语法和原型性因素，江湖就是武侠小说基本叙语法中的原型性因素之一。

The poems of this phase had generally a narrative thread that was reduced at times to a shadow-and they rambled gracefully, argumentatively, variously.

一阶段的诗，一般有一有谈到只剩一点影子的叙的线索，些诗就是样优雅庄重地，追根究底地，变幻多端地抒写下去。

Fairy tales go through a way of establishing a flinty world to realize the possible dimension, the possible narration in order to decipher the adelomorphic society.

童话通过一种构建虚幻空间来实现可能的维度、可能的叙，来讲述能解读的隐形的社会。

As a typologic literature, wuxia-novel has formed it's own particular and fixed narrative syntax and archetypal factor in the long-term evolvement.

武侠小说作为一种类型文学，在长期演变过程中形成了自身独特而相对固定基本语法和原型性因，就是武侠小说基本语法中原型性因之一。

The poems of this phase had generally a narrative thread that was reduced at times to a shadow-and they rambled gracefully, argumentatively, variously.

一阶段诗，一般有一条有时谈到只剩一点影子线索，些诗就是样优雅庄重地，追根究底地，变幻多端地抒写下去。

Fairy tales go through a way of establishing a flinty world to realize the possible dimension, the possible narration in order to decipher the adelomorphic society.

童话通过一种构建虚幻空间来实现可能维度、可能，来讲述能解读隐形社会。

As a typologic literature, wuxia-novel has formed it's own particular and fixed narrative syntax and archetypal factor in the long-term evolvement.

武侠小说作为一种类型文学，在长期的演变过程中形成了自身独特而相对固定的基本语法和原型性因素，江湖就是武侠小说基本语法中的原型性因素之一。

The poems of this phase had generally a narrative thread that was reduced at times to a shadow-and they rambled gracefully, argumentatively, variously.

一阶段的诗，一般有一条有时谈到只剩一点影子的的线索，些诗就是样优雅庄重地，追根究底地，变幻多端地抒写下去。

Fairy tales go through a way of establishing a flinty world to realize the possible dimension, the possible narration in order to decipher the adelomorphic society.

童话通过一种构建虚幻空间实现可能的维度、可能的，讲述能解读的隐形的社会。

As a typologic literature, wuxia-novel has formed it's own particular and fixed narrative syntax and archetypal factor in the long-term evolvement.

武侠小说作为一种类文学，在长期的演变过程中形成了自身独特而相对固定的基本叙事语法和因素，江湖就是武侠小说基本叙事语法中的因素之一。

The poems of this phase had generally a narrative thread that was reduced at times to a shadow-and they rambled gracefully, argumentatively, variously.

一阶段的诗，一般有一条有时谈到只剩一点影子的叙事的线，诗就是样优雅庄重地，追根究底地，变幻多端地抒写下去。

Fairy tales go through a way of establishing a flinty world to realize the possible dimension, the possible narration in order to decipher the adelomorphic society.

童话通过一种构建虚幻空间来实现可能的维度、可能的叙事，来讲述能解读的隐形的社会。

As a typologic literature, wuxia-novel has formed it's own particular and fixed narrative syntax and archetypal factor in the long-term evolvement.

武侠小说作为一种类型文学，在长期的演变过程中形成了自身独特而相对固定的基本语法和原型性因素，江湖就武侠小说基本语法中的原型性因素之一。

The poems of this phase had generally a narrative thread that was reduced at times to a shadow-and they rambled gracefully, argumentatively, variously.

一阶段的诗，一般有一条有时谈到只剩一点影子的的线索，些诗就优雅庄重地，追根究底地，变幻多端地抒写下去。

Fairy tales go through a way of establishing a flinty world to realize the possible dimension, the possible narration in order to decipher the adelomorphic society.

童话通过一种构建虚幻空间来实现可能的维度、可能的，来讲述能解读的隐形的社会。

As a typologic literature, wuxia-novel has formed it's own particular and fixed narrative syntax and archetypal factor in the long-term evolvement.

武侠小说作为一文学，在长期的演变过程中形成了自身独特而相对固定的基本叙事语法和原性因素，江湖就是武侠小说基本叙事语法中的原性因素之一。

The poems of this phase had generally a narrative thread that was reduced at times to a shadow-and they rambled gracefully, argumentatively, variously.

一阶段的诗，一般有一条有时谈到只剩一点影子的叙事的线索，些诗就是样优雅庄重地，追根究底地，变多端地抒写下去。

Fairy tales go through a way of establishing a flinty world to realize the possible dimension, the possible narration in order to decipher the adelomorphic society.

童话通过一构空间来实现可能的维度、可能的叙事，来讲述能解读的隐形的社会。

As a typologic literature, wuxia-novel has formed it's own particular and fixed narrative syntax and archetypal factor in the long-term evolvement.

武侠小说作为一种类型文学，在长期演变过程中形成了自身独特而相对固定基本叙事语法和原型性，江湖就是武侠小说基本叙事语法中原型性一。

The poems of this phase had generally a narrative thread that was reduced at times to a shadow-and they rambled gracefully, argumentatively, variously.

一诗，一般有一条有时谈到只剩一点影子叙事线索，些诗就是样优雅庄重地，追根究底地，变幻多端地抒写下去。

Fairy tales go through a way of establishing a flinty world to realize the possible dimension, the possible narration in order to decipher the adelomorphic society.

童话通过一种构建虚幻空间来实现可能维度、可能叙事，来讲述能解读隐形社会。