But atonality, whether free or serial, alienated listeners.

但调性，自由的还序列的，都会疏远听众。

Some with a lot of prosodic cues, while others were read in an atonal, almost robotic voice.

有些有很多韵律提示， 而另一些则以调性、几乎机器人的声音朗读。

In his " free atonal" works no chord has special status; musical phrases do not resolve in satisfying cadences.

在他的“自由调性” 作品中， 没有和弦具有特殊地位；乐句法以令人满意的节奏来解决。

Its absence signified the advent of what came to be known as " atonality" (though Schoenberg did not like the term).

它的缺失后来被称为“调性”的时代的到来（尽管勋伯格不喜欢这个术语）。

After encountering some of Schoenberg's atonal works, Richard Strauss, a fellow composer, declared that his peer should shovel snow, not write scores.

在接触过勋伯格的一些调性作品后，同为作曲家的理查德·施特劳斯宣称，他的同行应该去铲雪，而不写乐谱。