The thing about score, and the thing about like, just instrumental score, is it's meant to emit emotion.

配乐好像只有乐器声，为的是更好地情感。

She survived her captivity in part by writing poetry about her homeland.

她在被囚禁期间，部分时间是靠写诗来对故乡的思念。

They sing for love, they dance for love, they compose poems and stories about love.

人们为爱情歌唱，人们因爱情起舞，人们通过诗赋和故事来爱情。

So, it is not surprising that we have an expression that thanks them.

所以，我们有一个对星星的感谢之情的表达也就不足为奇。

Lest you want this female's mind right here, in front of everybody.

除非你想让本妇人在这一下感想，当着所有人的面。

But the act of remembrance itself, can be a subversive and not just a sentimental act.

但这种纪念行为本身是颠覆性的，不仅是在感情。

Professors, administrators and student groups held open sessions where the community could express their emotions.

学校的教授、管理人员和学生团体纷纷举行公开会议，让大家各自的情绪。

They wrote so much about it that nobody believed them, and I am not surprised.

他们对爱情得太多，也就没人相信他们，对此，我一点也不觉得吃惊。

The reason for this is that poets compose their poetry to express what they are experiencing emotionally at that moment.

这是因为诗人创作诗歌是为当时的情感经历。

At the same time, girls often want someone-anyone-talk to, as they try to deal with their strong feelings.

与此同时，女孩通常想找某个人或任何人都可以，进行倾诉，因为她们试图她们那强烈的情感。

Well, let's skip that part, shall we?

但现在不是体验的时候？

Love needs language to express itself.

爱情需要语言。

I'm against having emotions, not against using them.

我反对情感，而不是利用情感。

Art is about personalizing, isn't it?

是个人情感的 不是吗？

It's less representational. It's more spontaneous.

形象较不具体 更多是情感的。

So you wanna go pay your respects to a slab of granite put up by a stranger?

你想对着一个由陌生人立的碑 来你对母亲的爱？

They created toolkits so that young people from coast to coast could elevate their stories, organize, speak out at school board meetings.

他们创建工具包让东西海岸的的青少年能提升他们的故事，组织起来，在校董会上己见。

Jewish humour tends, paradoxically, to provoke both relief and discomfort, as with Heinrich Heine's sharp send-ups of Jewish converts in early 19th-century Germany.

犹太式幽默通常能够带来轻松或者不悦，就像19世纪初德国的Heinrich Heine对犹太人尖酸嘲讽改变一样。

Born in New York in 1923, Lichtenstein began working at a time when the important painters were splattering and swooshing their emotions on canvas.

李奇登斯坦于1923年出生在纽约。他走上道路的时候，那些名画家正在帆布上挥毫泼墨，自己的情感。

I must admit it was a great lesson to begin, to know when someone was speak out of emotion or out of clear thought.

我得承认，这的确是重要的一课，即知道人什么时候是在感受，什么时候是在清楚地表达思想。