Nikolai Gogol and Leo Tolstoy wrote more controversial plays.

果戈理和托尔斯泰创作的戏剧更具争议性。

" Having fun all the time, " laughed Gogol.

“一直玩，”果戈理。

If it wasn't Emily Bronte, it could be Tolstoy or Gogol.

即使艾米丽·勃朗特不写托尔斯泰或果戈理，可能写这种情节。

See, for example, Nikolay Gogol's short story, The Nose, originally published in 1836.

例如，参见尼古拉·果戈尔的短篇小说《鼻子》，该小说最初于1836年出版。

" Those who know how to heal the sick, " said Gogol, stroking his bruised noggin.

“那些知如何治病的人”，果戈理抚摸着自己伤痕累累的鼻梁说。

At that moment, Sonya, Gogol, and Pushkin arrived to make sure everyone was all right.

这时，索尼娅、果戈理和普希金赶来了，他们要确保大家都没事。

For example, Gogol, a coconut is about to fall on your head! Nikolai thought for a moment.

比如说，果戈理，一个椰子就要掉到你头上了！尼古拉想了一会儿。

Gogol, by the way, he's another great.

果戈理，顺便说一下， 他是另一个伟大的人物。

" The very ambrosia that the governor's wife longed for in Gogol's 'Revisor'" !

“正是州长夫人在果戈理的《修正者》中所渴望的美酒” ！

It reminded me of the mauvais ton in Gogol's " Revisor" , do you remember?

这让我想起了果戈理《修正者》中的莫韦吨， 你还记？

Marceau's subject matter ranged widely: pride, solitude, sin and the pathos of old age, as well as adaptations of Nikolai Gogol, Franz Kafka and Voltaire.

马索的主题十分广泛：傲慢、孤独、罪恶、暮年之悲哀，以及对尼古莱·果戈理、弗兰兹·卡夫卡和伏尔泰作品的改编。

St. Petersburg's bitterly cold and dark winters prompted Nikolai Gogol to set his famous short story " The Overcoat" during these long, snowy nights.

圣彼堡严寒黑暗的冬天促使果戈理在这些漫长的雪夜里创作了他著名的短篇小说《大衣》。

To mark its importance, he positioned The Russians in Japan within the history of Russian travelogues, a strategy akin to how Chernyshevsky had approached Gogol's tales.

为了表明它的重要性，他将《在日本的俄罗斯人》置于俄罗斯游记的历史中，这种策略类似于车尔尼雪夫斯基处理果戈理故事的方式。

Gogol, the monkey, who had been rooting through some leaves to find something good to eat, said, " You will know when to do things if you watch and pay close attention."

刚刚一直在树叶里找些美食的猴子果戈理说，“如果你仔细观察，就会知什么时候该做什么事。”

And I mean, when Gogol, who was born in Ukraine and spoke Ukrainian to become a great writer, he really had to move to St Petersburg and write in Russian.

我的意思是， 当出生在乌克兰、说乌克兰语的果戈理成为一名伟大的作家时，他真的不不搬到圣彼堡并用俄语写作。

As late as 1900, Anton Chekhov ranked The Frigate Pallada alongside the fairy tales of Hans Christian Andersen and the fiction of Nikolai Gogol as the best examples of literature that captivates adults and children alike.

直到 1900 年，安东·契诃夫 （Anton Chekhov） 将《帕拉达护卫舰》与安徒生的童话故事和尼古拉·果戈理的小说并列为吸引成人和儿童的文学最佳典范。

This eminence by association was deepened by textual proximity to a landmark article on Gogol by the influential radical critic Nikolai Chernyshevsky, " Sketches of the Gogol Period of Russian Literature, " which directly followed Druzhinin's review in the volume.

与有影响力的激进批评家尼古拉·车尔尼雪夫斯基 （Nikolai Chernyshevsky） 关于果戈理的里程碑式文章《果戈理时期的素描》（Sketches of the Gogol Period of Russian Literature）在文本上的接近性加深了这种联系的突出地位，该文章紧随德鲁任宁在该卷中的评论。