The plagal cadence, sometimes known as the Amen cadence from ecclesiastical use, is the progression from the chord of the subdominant to the tonic, IV - I.

变格，有时也被称为源于教会“阿们”，是指从下属音到主音进行，IV–I。

The word is generally used to indicate the harmonization of the two final notes, classified as authentic or perfect, plagal, half or imperfect, and deceptive or interrupted.

这个词常用于提示最后两个音谐，分为完全，变格，半伪。

The plagal cadence, sometimes known as the Amen cadence from ecclesiastical use, is the progression from the chord of the subdominant to the tonic, IV - I.

变格止，有称为源于教会的“阿们止”，是指从下属音弦到主音弦的进行，IV–I。

The word is generally used to indicate the harmonization of the two final notes, classified as authentic or perfect, plagal, half or imperfect, and deceptive or interrupted.

这个词常用于提示最后两个音的谐，分为止，变格止，半止伪止。

The plagal cadence, sometimes known as the Amen cadence from ecclesiastical use, is the progression from the chord of the subdominant to the tonic, IV - I.

，有时也被称为源于教会的“阿们”，是指从下属音弦到主音弦的进行，IV–I。

The word is generally used to indicate the harmonization of the two final notes, classified as authentic or perfect, plagal, half or imperfect, and deceptive or interrupted.

这个词常用于提示最后两个音的谐，分为完全，，伪。

The plagal cadence, sometimes known as the Amen cadence from ecclesiastical use, is the progression from the chord of the subdominant to the tonic, IV - I.

，有时也被称为源于教会的“阿们”，是指从下属音弦到主音弦的进行，IV–I。

The word is generally used to indicate the harmonization of the two final notes, classified as authentic or perfect, plagal, half or imperfect, and deceptive or interrupted.

这个词常用于提示最后两个音的谐，分为完全，，半伪。

The plagal cadence, sometimes known as the Amen cadence from ecclesiastical use, is the progression from the chord of the subdominant to the tonic, IV - I.

变格终止，有时也被称为源于教会的“阿们终止”，是指从下音到主音的进行，IV–I。

The word is generally used to indicate the harmonization of the two final notes, classified as authentic or perfect, plagal, half or imperfect, and deceptive or interrupted.

这个词常用于提示最后两个音的谐，分为完全终止，变格终止，半终止伪终止。

The plagal cadence, sometimes known as the Amen cadence from ecclesiastical use, is the progression from the chord of the subdominant to the tonic, IV - I.

变格终止，有时也被称为源于教会的“阿们终止”，是指从弦到主弦的进行，IV–I。

The word is generally used to indicate the harmonization of the two final notes, classified as authentic or perfect, plagal, half or imperfect, and deceptive or interrupted.

这词用于提示最后两的谐，分为完全终止，变格终止，半终止伪终止。

The plagal cadence, sometimes known as the Amen cadence from ecclesiastical use, is the progression from the chord of the subdominant to the tonic, IV - I.

变格终止，有时也被称为源于教会的“阿们终止”，是指从下属音弦到主音弦的进行，IV–I。

The word is generally used to indicate the harmonization of the two final notes, classified as authentic or perfect, plagal, half or imperfect, and deceptive or interrupted.

这个词常用于提示最后两个音的谐，为完全终止，变格终止，半终止伪终止。

The plagal cadence, sometimes known as the Amen cadence from ecclesiastical use, is the progression from the chord of the subdominant to the tonic, IV - I.

变格，有时也被称为源于教会的“阿们”，指从下属音弦到主音弦的进行，IV–I。

The word is generally used to indicate the harmonization of the two final notes, classified as authentic or perfect, plagal, half or imperfect, and deceptive or interrupted.

这个词常用于后两个音的谐，分为完全，变格，半伪。

The plagal cadence, sometimes known as the Amen cadence from ecclesiastical use, is the progression from the chord of the subdominant to the tonic, IV - I.

变格终止，有时也被称为源于教会的“阿们终止”，是指从属音弦到主音弦的进行，IV–I。

The word is generally used to indicate the harmonization of the two final notes, classified as authentic or perfect, plagal, half or imperfect, and deceptive or interrupted.

这个词常用于提示最后两个音的谐，为完全终止，变格终止，半终止伪终止。