The plagal cadence, sometimes known as the Amen cadence from ecclesiastical use, is the progression from the chord of the subdominant to the tonic, IV - I.

变格终止，有时也被称为源于教会的“阿们终止”，是指从下属音弦到主音弦的进行，IV–I。

The word is generally used to indicate the harmonization of the two final notes, classified as authentic or perfect, plagal, half or imperfect, and deceptive or interrupted.

这个词常用于提示最后两个音的谐，分为完全终止，变格终止，半终止伪终止。

The plagal cadence, sometimes known as the Amen cadence from ecclesiastical use, is the progression from the chord of the subdominant to the tonic, IV - I.

变格，有时也被称为源于教会的“阿们”，是指从下属音弦到主音弦的进行，IV–I。

The word is generally used to indicate the harmonization of the two final notes, classified as authentic or perfect, plagal, half or imperfect, and deceptive or interrupted.

这个词常用于提示最后两个音的谐，分为完全，变格，半伪。

The plagal cadence, sometimes known as the Amen cadence from ecclesiastical use, is the progression from the chord of the subdominant to the tonic, IV - I.

变格，有时也被称为源于教会的“阿们”，指从下属音弦到主音弦的进行，IV–I。

The word is generally used to indicate the harmonization of the two final notes, classified as authentic or perfect, plagal, half or imperfect, and deceptive or interrupted.

这个词常用于后两个音的谐，分为完全，变格，半伪。

The plagal cadence, sometimes known as the Amen cadence from ecclesiastical use, is the progression from the chord of the subdominant to the tonic, IV - I.

变格终止，有时源于教会的“阿们终止”，是指从下属音弦到主音弦的进行，IV–I。

The word is generally used to indicate the harmonization of the two final notes, classified as authentic or perfect, plagal, half or imperfect, and deceptive or interrupted.

这个词常用于提示最后两个音的谐，分终止，变格终止，半终止伪终止。

The plagal cadence, sometimes known as the Amen cadence from ecclesiastical use, is the progression from the chord of the subdominant to the tonic, IV - I.

变格终止，有时也被称为源于教会的“阿们终止”，是指从下属音到主音的进行，IV–I。

The word is generally used to indicate the harmonization of the two final notes, classified as authentic or perfect, plagal, half or imperfect, and deceptive or interrupted.

这个词常用于提示最后两个音的谐，分为完全终止，变格终止，半终止伪终止。

The plagal cadence, sometimes known as the Amen cadence from ecclesiastical use, is the progression from the chord of the subdominant to the tonic, IV - I.

变格终止，有时也被称为源于教“们终止”，是指从下属弦到主弦进行，IV–I。

The word is generally used to indicate the harmonization of the two final notes, classified as authentic or perfect, plagal, half or imperfect, and deceptive or interrupted.

这词常用于提示最后谐，分为完全终止，变格终止，半终止伪终止。

The plagal cadence, sometimes known as the Amen cadence from ecclesiastical use, is the progression from the chord of the subdominant to the tonic, IV - I.

变格终止，有时也被称为源于教“们终止”，是指从下属弦到主弦进行，IV–I。

The word is generally used to indicate the harmonization of the two final notes, classified as authentic or perfect, plagal, half or imperfect, and deceptive or interrupted.

这词常用于提示最后谐，分为完全终止，变格终止，半终止伪终止。

The plagal cadence, sometimes known as the Amen cadence from ecclesiastical use, is the progression from the chord of the subdominant to the tonic, IV - I.

变格止，有时也被称为源于教会“阿们止”，是指从下属音弦到主音弦进行，IV–I。

The word is generally used to indicate the harmonization of the two final notes, classified as authentic or perfect, plagal, half or imperfect, and deceptive or interrupted.

这个词常用于提示最后两个音谐，分为完全止，变格止，半止止。

The plagal cadence, sometimes known as the Amen cadence from ecclesiastical use, is the progression from the chord of the subdominant to the tonic, IV - I.

变格终止，有时也被称为源于教会的“阿们终止”，是指从下属音到主音的进行，IV–I。

The word is generally used to indicate the harmonization of the two final notes, classified as authentic or perfect, plagal, half or imperfect, and deceptive or interrupted.

这个词常用于提示最后两个音的谐，分为完全终止，变格终止，半终止伪终止。

The plagal cadence, sometimes known as the Amen cadence from ecclesiastical use, is the progression from the chord of the subdominant to the tonic, IV - I.

变格终止，有时也被称为源于教会的“阿们终止”，是指从下属到主的进，IV–I。

The word is generally used to indicate the harmonization of the two final notes, classified as authentic or perfect, plagal, half or imperfect, and deceptive or interrupted.

词常用于提示最后两的谐，分为完全终止，变格终止，半终止伪终止。