As a typologic literature, wuxia-novel has formed it's own particular and fixed narrative syntax and archetypal factor in the long-term evolvement.

武侠小说作为一种类型文，在期的演变过程中形成了自身独特而相对固定的基本叙事语法和原型性因素，江湖就是武侠小说基本叙事语法中的原型性因素之一。

This paper focuses on the relationship between an kind of archetype named shadow and social institutions, through Jung's archetypal theory and Erich Fromm's human destructivity theory.

本文运用荣格原型的“无意识”论和弗洛姆“人类破坏性”论，将视角集中于“阴影”原型与社会制度和文明的关系。

As a typologic literature, wuxia-novel has formed it's own particular and fixed narrative syntax and archetypal factor in the long-term evolvement.

武侠小说作为种类型文学，在期的演变过程中形成了自身独特而相对固定的基语法和原型性因素，江湖就是武侠小说基语法中的原型性因素之。

This paper focuses on the relationship between an kind of archetype named shadow and social institutions, through Jung's archetypal theory and Erich Fromm's human destructivity theory.

文运用荣格原型心理学的“无意识”理论和弗洛姆“人类破坏性”理论，将视角集中于“阴影”原型与社会制度和文明的关系。

As a typologic literature, wuxia-novel has formed it's own particular and fixed narrative syntax and archetypal factor in the long-term evolvement.

武侠小说作为一种类文学，在期的演变过程中形成了自身独特而相对固定的基本叙事语法和素，江湖就是武侠小说基本叙事语法中的素之一。

This paper focuses on the relationship between an kind of archetype named shadow and social institutions, through Jung's archetypal theory and Erich Fromm's human destructivity theory.

本文运用荣格心理学的“无意识”理论和弗洛姆“人类破坏”理论，将视角集中于“阴影”与社会制度和文明的关系。

As a typologic literature, wuxia-novel has formed it's own particular and fixed narrative syntax and archetypal factor in the long-term evolvement.

武侠小说作类型文学，在期的演变过成了自身独特而相对固定的基本叙事语法和原型性因素，江湖就是武侠小说基本叙事语法的原型性因素之。

This paper focuses on the relationship between an kind of archetype named shadow and social institutions, through Jung's archetypal theory and Erich Fromm's human destructivity theory.

本文运用荣格原型心理学的“无意识”理论和弗洛姆“人类破坏性”理论，将视角集于“阴影”原型与社会制度和文明的关系。

As a typologic literature, wuxia-novel has formed it's own particular and fixed narrative syntax and archetypal factor in the long-term evolvement.

武侠小说作为一种类型文学，在期演变过程中形成了自身独特而相对固定基本叙事语法和原型性，湖就是武侠小说基本叙事语法中原型性之一。

This paper focuses on the relationship between an kind of archetype named shadow and social institutions, through Jung's archetypal theory and Erich Fromm's human destructivity theory.

本文运用荣格原型心理学“无意识”理论和弗洛姆“人类破坏性”理论，将视角集中于“阴影”原型与社会制度和文明关系。

As a typologic literature, wuxia-novel has formed it's own particular and fixed narrative syntax and archetypal factor in the long-term evolvement.

武侠小说作为一种类型文学，在期演变过程中形成了自身独特而相对固定基本叙事语法和原型性因素，江湖就是武侠小说基本叙事语法中原型性因素之一。

This paper focuses on the relationship between an kind of archetype named shadow and social institutions, through Jung's archetypal theory and Erich Fromm's human destructivity theory.

本文运用荣格原型心理学“识”理论和弗洛姆“人类破坏性”理论，将视角集中于“阴影”原型与社会制度和文明关系。

As a typologic literature, wuxia-novel has formed it's own particular and fixed narrative syntax and archetypal factor in the long-term evolvement.

武作为一种类型文学，在期演变过程中形成了自身独特而相对固定基本叙事语法和原型性因素，江湖就是武基本叙事语法中原型性因素之一。

This paper focuses on the relationship between an kind of archetype named shadow and social institutions, through Jung's archetypal theory and Erich Fromm's human destructivity theory.

本文运用荣格原型心理学“无意识”理论和弗洛姆“人类破坏性”理论，将视角集中于“阴影”原型与社会制度和文明关系。

As a typologic literature, wuxia-novel has formed it's own particular and fixed narrative syntax and archetypal factor in the long-term evolvement.

武侠小说作为种类型文学，在期的演变过程中形成了自身独特而相对固定的基本叙事语法和原型性因，江湖就是武侠小说基本叙事语法中的原型性因。

This paper focuses on the relationship between an kind of archetype named shadow and social institutions, through Jung's archetypal theory and Erich Fromm's human destructivity theory.

本文运用荣格原型心理学的“无意识”理论和弗洛姆“人类破坏性”理论，将视角集中于“阴影”原型与社会制度和文明的关系。

As a typologic literature, wuxia-novel has formed it's own particular and fixed narrative syntax and archetypal factor in the long-term evolvement.

武侠小说作为一种类文学，在期的演变过程中形成了自身独特而相对固定的基本叙事语法和因素，江湖就是武侠小说基本叙事语法中的因素之一。

This paper focuses on the relationship between an kind of archetype named shadow and social institutions, through Jung's archetypal theory and Erich Fromm's human destructivity theory.

本文运用荣格心理学的“无意识”理论和弗洛姆“人类破坏”理论，将视角集中于“阴影”与社会制度和文明的关系。